Giacomo Puccini was the heir apparent to Giuseppe Verdi in the world of Italian opera in the late 19th and early 20th century, whose operas are still popular. He took the tradition of Italian opera in the direction of Wagner with his sense of orchestration and dramatic flow, while retaining the Italianate penchant for melody.Puccini came from a family of musicians that stretched back 5 generations. While he was a church organist, he made the 18 mile trip to Pisa on foot to see a performance of Verdi's Aida that inspired him to become a composer of opera, counter to the history of church musicians in his family.
He admitted himself that his true talent was for the stage, and with his ten operas written between 1884 until 1924 (his last opera Turandot was unfinished at his death), he became the premiere opera composer of his time. Some of these operas went through more than one version, as Puccini rewrote parts of them for various reasons. He also left a body of works outside of opera that are less well known. Many of these were for voice and orchestra. He wrote very few instrumental works, and among them there are 4 works for string quartet; 3 minuets and the elegy Crisantemi (Chrysanthemums).
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| Duke of Savoy |
Puccini's mastery of writing for strings is evident in this short work that lasts about 6 minutes. The work consists of two themes, the first is repeated at the end while the second one is in the middle section. It is a work of concentrated dark mood as the 4 instruments pay tribute to Puccini's friend. Puccini thought much of the two melodies used in the work as he reused them in the last act of his opera Manon Lescaut three years later in 1893.