Albert Ketèlbey (1875 - 1959) wrote many popular songs and instrumental numbers, some of them miniature tone poems. He specialized in musical representations of differing cultures, highly idealized representations as they fell well within the realm of western music harmony and forms. Ketèlbey could crank out a pretty good tune and he was an imaginative orchestrator, no doubt aided by the tremendous working knowledge he had through his talent for being able to play all the instruments of the orchestra.
In A Persian Market is one of those idealized miniature tone poems. It was written in 1920 and has been played by many orchestras and arranged for many different ensembles. The music speaks through the 'ears' of a English musician known for his works that were written in an intentionally popular style. Authentic Persian (modern day Iran) music it is not, but it has a certain period charm to it.
Ketèlbey's In A Persian Market:
Showing posts with label ketelby. Show all posts
Showing posts with label ketelby. Show all posts
Thursday, October 27, 2011
Monday, October 24, 2011
Albert Ketèlby - Dance Of The Merry Mascots
Albert Ketèlby - (1875 - 1959) was an English composer, pianist and conductor. He attended the Trinity College Of Music in London and his early piano sonata was praised by Edward Elgar. He had a knack for being able to play all the instruments of the orchestra, practical knowledge he used when he composed for orchestra.
He was musical director of London's Vaudeville Theater and wrote many vocal and instrumental pieces while there. He was also music editor to some publishing houses and was Musical director for the Columbia Gramophone company and conducted on more than 600 recordings issued by the company.
He is most well known for his light popular music that was used at dances and sometimes for silent movies. Some of his most well-known compositions are In A Persian Market, In A Monastery Garden, and Dance Of The Merry Mascots. Many of these pieces had a short program attached to them. The program for Dance Of The Merry Mascots is as follows:
"The Mascots go to a Fancy-dress Ball dressed as Pierrots, Pierrettes, Japanese and Spanish dancers. They start with a Waltz for the Pierrots and Pierrettes, (during which Weber's "Invitation to the dance" is played as a counter-melody), then follow two movements for the Japanese and Spanish dancers; the Waltz is now resumed, and towards the end some of the Mascots who have got a little bit too "merry", find it rather difficult to keep in time, but they manage to finish all together! The chimes now indicate that it is near midnight and the Mascots are heard taking their departure."
Dance Of The Merry Mascots by Ketèlby:
He was musical director of London's Vaudeville Theater and wrote many vocal and instrumental pieces while there. He was also music editor to some publishing houses and was Musical director for the Columbia Gramophone company and conducted on more than 600 recordings issued by the company.
He is most well known for his light popular music that was used at dances and sometimes for silent movies. Some of his most well-known compositions are In A Persian Market, In A Monastery Garden, and Dance Of The Merry Mascots. Many of these pieces had a short program attached to them. The program for Dance Of The Merry Mascots is as follows:
"The Mascots go to a Fancy-dress Ball dressed as Pierrots, Pierrettes, Japanese and Spanish dancers. They start with a Waltz for the Pierrots and Pierrettes, (during which Weber's "Invitation to the dance" is played as a counter-melody), then follow two movements for the Japanese and Spanish dancers; the Waltz is now resumed, and towards the end some of the Mascots who have got a little bit too "merry", find it rather difficult to keep in time, but they manage to finish all together! The chimes now indicate that it is near midnight and the Mascots are heard taking their departure."
Dance Of The Merry Mascots by Ketèlby:
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