Gioachino Rossini (1792- 1868) had his first big opera 'hit' with The Barber Of Seville in 1816. It ended up being his most successful and popular opera of his career. He followed up on this success with the writing of La Cenerentola (Cinderella) the following year. It was as big of a success as 'Barber' had been, and Rossini was an international star from then on.
Rossini met Beethoven in 1822 in Vienna. Beethoven by that time was deaf and somewhat of a recluse. Beethoven told Rossini, " Ah, Rossini. So you’re the composer of The Barber of Seville. I congratulate you. It will be played as long as Italian opera exists. Never try to write anything else but opera buffa; any other style would do violence to your nature.”
He wrote a total of 20 operas between the years 1815-1823 and he wrote his 38th and final opera , William Tell, in 1829 when he was 38 years old. He was known to write very fast and was not above 'borrowing' music from his other operas to use in a new one. He wrote the entire opera La Cenerentola in three weeks, he bragged he wrote The Barber Of Seville in twelve days. After his retirement from writing opera, he continued to compose sporadically and collected these odd compositions in volumes he called 'Sins Of My Old Age'.
The Overture To La Cenerentola follows Rossini's usual practice and of course includes his trademark crescendo for full orchestra. Rossini used this so often in his overtures that contemporaries gave him the nickname 'Signor Crescendo'.
Rossini's Overture To La Cenerentola (Cinderella)